Shattered the nape-nerve, the soul sought Avernus. Men many, mauled with bronze lance heads. He tells him that hes going to need to go back the way he came and that hes soon going to lose all of his friends. Canto XXIV returns to 15th century Italy and tells the tale of the d'Este family and Niccolo d'Este's voyage to the Holy Land. In choosing to begin with this specific episode from The Odyssey, Pound suggests that in order to move forward we must look to the dead for guidance, just as Odysseus and his crew are sailing to Hades to find out what their future holds. Canto I By Ezra Pound And then went down to the ship, Set keel to breakers, forth on the godly sea, and We set up mast and sail on that swart ship, Bore sheep aboard her, and our bodies also Heavy with weeping, and winds from sternward Bore us out onward with bellying canvas, Circe's this craft, the trim-coifed goddess. Setting I'm on a Boat!Yes, you read it right. Image:Ezra Pound photographed in Kensington, London, October 22, 1913. They read like a stream of consciousness. Best summary PDF, themes, and quotes. Canto 1. Swartest night stretched over wretched men there. As a result, Pound turned to what he called Vorticism, a much more abstract style. 2. In a sense, The Cantos sets out to apply such a principle, not to individual images, but to whole epochs and systems: capitalism, history, politics, economics, art, poetry, and the relation between these various disciplines and institutions. The repeat in history. The magic moment or moment of metamorphosis, bust through from quotidian into divine or permanent world. Gods, etc. This structure can be observed in Canto I, which is an English rendering of a Latin translation of the ancient Greek poem The Odyssey, specifically that section which involves Odysseus and his crew travelling down to Hades, the Underworld. He describes how he and his friends travel to the land of the dead (Hades) and wake the dead with wine and prayers. To an extent, Pounds intention is to draw parallels between these different historical and geographical cultures and histories. Just as we may be settling into his English translation of the poem, and starting to feel at home among the dead with Odysseus and Tiresias, Pound decides to tell Andreas Divus to be quiet. Typify Pound's violation of English grammar and syntax by analyzing the grammar of some of his cantos. He died in 1972, having left The Cantos unfinished, and frustrated with his failure to make the poem work. Economics are a common theme in this section of The Cantos. Baldwin, Emma. Pound densely packed these poems with allusions to history, literature, politics, economics, and many cultural topics that Pound was interested in while he was writing. These radio broadcasts led to Italian Partisans arresting him in 1945. Taishan is attended of loves. Each block cut smooth and well fitting . For instance, art and finance are connected through a theme that is glimpsed at several points in The Cantos, namely the relationship between an artist and his patron. Separating the Art from the Artist: Does Ezra Pounds Work Deserve an Academic Platform? There are also a lot of men, mauled with bronze lance heads. Although Ezra Pounds name has been tarnished by his antisemitism something he later admitted, and disowned, albeit too late The Cantos actually contains barely any trace of his anti-Semitic beliefs, although it does explore Pounds views of usury and finance, which are related to his views on Jewish people. Text Preview. Deadline: 1 December 2022. In the Cretans phrase, with the golden crown, Aphrodite, Cypri munimenta sortita est, mirthful, orichalchi, with golden, Girdles and breast bands, thou with dark eyelids. In 1907, when Ezra Pound was still teaching Romance languages at Wabash College in Indiana, he completed the poem "In Durance": . Pull down thy vanity, it is not man. Harpes et luthes . It is a loose translation of one passage of The Odyssey, attributed to Homer and written 2,500 years ago. Because of his battle against the international usurers, Ezra Pound spent. Ezra Pound (1885-1972) Canto XLV (1937) With Usura . Because of all this praying and sacrificing, souls come out of Erebus, a part of the underworld. To Whistler, American. In Canto XXI, Pound discusses the Medici bank and the Medici family's effect on Venice, which he contrasts with the (positive) actions of Thomas Jefferson. With usura hath no man a house of good stone . Enter your email address to subscribe to this site and receive notifications of new posts by email. opponent to the insane asylum. And I cried in hurried speech: Elpenor, how art thou come to this dark coast? Canto IV was first published in 1919, by John Rodker at his Ovid Press. The long, fluid body of poetry by Ezra Pound.Begun with the publication of the first three segments in Quia Pauper Amavi (1919), the work occupied Pound for most of the rest of his life. However, he clearly loathes the way that society has become concerned less with art, beauty, and literature (most evident in Hugh Selwyn Mauberly) and too wrapped up in war and financial success. This particular canto is unusual. He cries out to Elpenor, asking what happened to him. However, one anecdote or reference will frequently appear across several cantos, which does serve to tie them together. Tiresias prepares to share a bit of knowledge with Odysseus in exchange for the drink of wine hes brought him. This may help to show why, after the humanity and breadth of much of the Pisan [Cantos], the twenty-four cantos that follow are so false, pandering, as they do, to the poet's self-esteem. And Anticlea came, whom I beat off, and then Tiresias Theban. The instalments of Ezra Pound's life-project, The Cantos , composed during his incarceration in Washington after the Second World War were to have served as a "Paradiso" for his epic. Pound himself said that the structure of The Cantos could be analysed as follows: Live man goes down into world of dead. For one, he would also liken himself albeit via the invented poet-persona, Mauberley to Odysseus in another poem written shortly after Canto I, Hugh Selwyn Mauberley (1920). When that was . And set my oar up, that I swung mid fellows., The second stanza is far shorter than the first. It turns out that he died on Circes island and didnt get a proper burial. Some other related poems include On First Looking Into Chapmans Homer by John Keats and Odysseus to Telemachus by Joseph Brodsky. He also sees his mother briefly and gets a prophecy from Tiresias. Determine how subtle poetic controls channel verse energy into emergent image and theme. If you found this short summary and analysis of Canto I useful, you can continue your Poundian odyssey with our discussion of his In a Station of the Metro here. This week, it's time to dive into the "Hell Cantos." Gundersen, Kathryn. View the lesson plan for Ezra Pound: Poems, World War I and leaving England (19141921), View Wikipedia Entries for Ezra Pound: Poems. Its as if Pound is saying that, in order to respond to modern culture and the contemporary world, one must first study the past and look for patterns and the same is true of past literature. There are several wonderful examples in Canto I. For instance, these lines from the first stanza: Heavy with weeping, and winds from sternward / Bore us out onward with bellying canvas. The best examples of imagery are those which engage all of the readers senses. 255 Cantos 53-61 are collectively known as the "China Cantos," "Chinese Cantos," "Chinese History Cantos." Pound himself wrote about them as follows: "No one is going to be content with a transliteration of Chinese names. The ghost of Elpenor asks that when Odysseus returns to the land of the living, he will give Elpenors body a proper burial. . He begs his friend to go back and give him a proper burial. Pingback: Seven of the Best Epic Poems by Female Poets | Interesting Literature. Readers who enjoyed the first canto of The Cantos should also look into some of Pounds other best-known poems. A Short Analysis of Ezra Pound's Canto II A summary of Pound's poem Ezra Pound's colossal work of modernist poetry, The Cantos, runs to over 800 pages and took him over half his life to write - and even then, he never finished it. Kung walked by the dynastic templeand into the cedar grove, and then out by the lower river,And with him Khieu . Canto I by Ezra Pound is a long three-stanza poem that is translated from the Ancient Greek. Quick fast explanatory summary. Canto XXVIII includes a passage that takes place on a transatlantic flight. Then sat we amidships, wind jamming the tiller. Without explaining why Pound felt like he needed to make a dedication to Aphrodite, the poem ends with So that:. Holding his golden wand, knew me, and spoke first: Facing the sunless dead and this joyless region? The low sounds continuing. Charged with treason he spent thirteen. Pound discusses profit and financial exploitation, makes references to World War I and the Russian Revolution (which were occurring while he was writing). Canto I Summary Okay, so it sounds like someone is talking to us about walking onto a ship, loading the thing with a bunch of sheep, and sailing away from some unknown place. This free poetry study guide will help you understand what you're reading. A detailed summary and explanation of Stanza 1 in Canto I by Ezra Pound. The following lines of the poem elaborate on all the souls that come out of Hell. Pound, in order to maintain as much of the originals structure as possible, looked to Old English meter (known today as an accentual meter) in order to structure the lines. Heap up mine arms, be tomb by sea-bord, and inscribed: And set my oar up, that I swung mid fellows.. The fact that so many dead men and women appeared, along with Odysseuss attempts to get them to leave him alone, is likely meant to convey his guilt in regards to their deaths. Souls out of Erebus, cadaverous dead, of brides. Its also at this point that it becomes clear that Odysseus is the speaker here. W. B. Yeats . I slept in Circes ingle. Canto I Introduction "Canto I" marks the very beginning of Ezra Pound 's beast of a project called The Cantos, which Pound started writing when he was thirty years old and didn't stop working on until his death in 1972fifty-seven years later. Pound himself said that the structure of The Cantos could be analysed as follows: 'Live man goes down into world of dead. In the underworld, Odysseus runs into one of his friends who died on Circes island, Eplenor. But Pounds title for his epic, The Cantos, also suggests the medieval Italian poet Dante as a model: his Divine Comedy, comprising numerous cantos, is about the poets journey into hell, thence to purgatory before arriving in heaven. a full accounting of pound's "education" pound received while writing for, and socializing with, those in the orage circle-and a discussion of orage's interesting c.h. The Traneumentary, Shooting for Trane, and Pound/Trane in Comparison. As a guiding principle of love Pound uses. in groer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung fr viele Artikel! Pound's fascination with history is evident throughout the Cantos. Cantos XIV-XVI are made up of a vision of Hell inspired by Dante's Divine Comedy, finishing with a recount of World War I and the Russian Revolution. "The repeat in history." These include but are not limited to, examples of alliteration, enjambment, and imagery. We can hardly scratch the surface in this short introduction to Pounds Cantos, but were going to address some of the key aspects of the poem and offer an analysis of its overall aims and features. Ezra Pounds colossal work of modernist poetry, The Cantos, runs to nearly 800 pages and took him over half his life to write and even then, he never finished it. For the gondolas cost too much, that year, And there were not "those girls", there was one face, And the Buccentoro twenty yards off, howling, "Stretti", And the lit cross-beams, that year, in the Morosini, And peacocks in Kor's house, or there may have been. Odysseus to Telemachus is told from the perspective of the epic hero, Odysseus while he is stranded on Circes island. Canto 84 Pound opens Canto 84 with a reference to the first letter his wife, Dorothy, sent him at the DTC, which included news about the death in action of English poet and RAF pilot J.P. Angold (1908-43). This means that he focuses on the stressed syllables entirely. Once the story resumes, Tiresias tells Odysseus that hell pass the Sirens on the next part of his journey. Unfortunately, Odysseus meets one of his friends in this realm of the dead, someone he didnt actually know was deceased. Pounds Cantos might be regarded as a modern secular version of Dantes spiritual journey, provided we dont view it as solely that. The Cantos, collection of poems by Ezra Pound, who began writing these more or less philosophical reveries in 1915. In this case, the speaker brings the reader into a nautical scene in which they use sailing-related words in order to describe the situation. All further references to Pound's cantos are to this edition and will be . He sends her off before running into Tiresias, the man hes been looking for. Ezra Pound was born in Hailey, Idaho in October of 1885. Get LitCharts A +. In the text, he suggests that it's time for him to pick up and craft that which Whitman prepared. Reference to the context of " In a Station of the Metro". Is The Cantos a masterpiece of twentieth-century poetry or an artistic failure? The Cantos of Ezra Pound is the most important epic poem of the twentieth century.. Delmore Schwartz said about The Cantos: "They are one of the touchstones of modern poetry."William Carlos WIlliams said "[Pound] discloses history by its odor, by the feel of itin the words; fuses it with the words, present and past, to MAKE his Cantos. Holding his golden wand, knew me, and spoke first: In the first lines of the third stanza of Canto I, the speaker describes how all of a sudden, Anticlea (his mother) shows up before Odysseus gets to answer Eplenor. The former was written after Keats read Chapmans translation of Homer for the first time on a night in 1815. This material is available only on Freebooksummary. The canto ends with more images of Pound looking skyward and references to the U.S. Senate. The poem begins with "And" as if the speaker, Odysseus, is in the midst of a story. Ezra Pound, Canto 76, in The Cantos of Ezra Pound (New York: New Directions, 1996), 477. They're usually four stanzas. He mentions Pluto, the Roman god of the underworld specifically, as well as Proserpine, his wife. Over the next four lines, there are several examples of alliteration, seen specifically in the use and reuse of words starting with an s. Odysseus also provides the reader with details about this new section of their journey. Topics: Act, Character, Play, Poetry, Public Speaking. This is the second time that Odysseus has existed in the underworld, and Tiresias notes that. First mead and then sweet wine, water mixed with white flour. For a short while, Pound slept on the ground in the open air, before being transferred to an open-air cage. The Cantos evolved into the huge tome it became, with various sections being published piecemeal over the decades, as Pound wrote them. Though Pound had preached Imagism throughout his career, which called for short, concise poetry, that style did not lend itself to the epic Cantos. Came we then to the bounds of deepest water, To the Kimmerian lands, and peopled cities, Covered with close-webbed mist, unpierced ever, Nor with stars stretched, nor looking back from heaven. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); document.getElementById( "ak_js_2" ).setAttribute( "value", ( new Date() ).getTime() ); Our work is created by a team of talented poetry experts, to provide an in-depth look into poetry, like no other. Ezra Pounds colossal work of modernist poetry, The Cantos, runs to nearly 800 pages and took him over half his life to write and even then, he never finished it. Blogging Pound's The Cantos: Canto I. Oh yeah, and everyone's been crying. Ezra Pound is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry. "Canto 1" is a poem translated from a version of Homer's The Odyssey, by early modernist poet Ezra Pound. Her frank, sweet retelling of their lives together evokes both the joys of love and the pains of separation. Pound was then moved to the United States, where he was charged with treason, but judged unfit to stand trial and incarcerated in a mental hospital, where he would remain until 1958. He was an early champion of a number of avant-garde and Modernist poets, developed important channels of intellectual and aesthetic exchange between the United States and Europe, and contributed to important literary movements. As an imagist, the imagery was always of the utmost importance to him. most prominent victim of the Communist tactic of committing a political. The Chinese History Cantos." Ezra . Ezra Pound referred to The Cantos as, variously, an epic including history and, with more muted self-praise, a ragbag. So that. The lack of a plot makes The Cantos seem loose and structureless. Odysseus muses about the power of sacrifices, especially bulls, in the following lines. I've taken a week of Canto-readings (to discuss Leon Surette's The Birth of Modernism: Ezra Pound:, T.S. For the most part, it seems like Odysseusthe main character of Homer's Odysseyis the speaker of "Canto I." The way he keeps using "we" at the beginning of the poem definitely suggests that th. That design might cover their face, With usura . The men are setting sail in Circes boat after spending a terrible period of time on the island as pigs. Canto I Ezra Pound - 1885-1972 And then went down to the ship, Set keel to breakers, forth on the godly sea, and We set up mast and sail on that swart ship, Bore sheep aboard her, and our bodies also Heavy with weeping, so winds from sternward Bore us out onward with bellying canvas, Circe's this craft, the trim-coifed goddess. He does, however, attempt to make links between Chinese history and European history. Divus was the sixteenth-century translator of the Latin version of The Odyssey that Pound is creating his English version from; suddenly, with that reference, Pound reminds us of what we are reading, that it is nothing more than a translation of a translation, and he reminds us of his status as the modern poet trying to follow these writers of the past. This particular passage details Odysseuss journey to the edge of the world and his questioning of spirits from the underworld. He claims that the practice of usury is both contrary to the laws of nature and inimical to the production of powerful art and culture. Thus the epic and elegy, English and Latin renderings, Greek and Anglo-Saxon originals, all meet and are transformed into something new in Pounds Canto I. Its an exemplary demonstration of T. S. Eliots concept of poetic tradition (from Tradition and the Individual Talent). Odysseus says that he took out his sword and dug a "pitkin," which is just a word Pound made up to signify a small pit. While in the Underworld, Odysseus sees the shade of Elpenor, a young man who had previously sailed with Odysseus. Entdecke Faschistische Direktive: Ezra Pfund und italienische kulturelle, Hardcover von Paul, Cathe. "Spine a little faded, covers a little marked.". It is through you visiting Poem Analysis that we are able to contribute to charity. Further on in the canto, there are other explorations of identity, mainly relating to the sea. There is an interesting moment when Pound inserts the line Lie quiet Divus into the poem. catoli th ismo. These cantos are indicative of Pound's Imagist style. The prophet tells Odysseus that hes soon to encounter the Sirens and, at some point, lose all of his friends. douglas and the social credit movement, as well as some explanation of the theories of douglas themselves-is well-provided by redman, and i leave it to the interested reader to The free tracks you can enjoy in the Poetry Archive are a selection of a poet's work. Unwept, unwrapped in sepulchre, since toils urged other. Pound worked on the Cantos for nearly fifty. Or where virgin receiveth message . Begun with the publication of the first three segments in Quia Pauper Amavi (1919), the work occupied Pound for most of the rest of his life. However, the Cantos are more about continuity than union, and they build upon one other thematically. Ezra Pound and the Occult. Pitiful spirit. The speaker mentions Circe, a reference to a sorceress from the story. The ant's a centaur in his dragon world. Not affiliated with Harvard College. pinkmonkey free cliffnotes cliffnotes ebook pdf doc file essay summary literary terms analysis professional definition summary synopsis sinopsis interpretation critique Canto 1 Analysis Ezra Pound itunes audio book mp4 mp3 mit ocw Online Education homework forum help. Canto II opens with an exploration of identity through an examination of four different versions of the poet Sordello: the actual poet, the titular character in a Browning poem, Pound's version of him, and his brief life that he wrote about in his manuscripts. Ezra Pound The Cantos New York: New Directions, 1998. Here did they rites, Perimedes and Eurylochus. Eliot, W.B. He revised it, adding a new ending, for A Draft of XVI Cantos in 1925. Elpenor asks his friend to sail back to Circes island and take care of his body properly. Pound himself said that the structure of The Cantos could be analysed as follows: Live man goes down into world of dead. Circes this craft, the trim-coifed goddess. Every single person that visits Poem Analysis has helped contribute, so thank you for your support. Is The Cantos a masterpiece of twentieth-century poetry or an artistic failure? Yeats, and The Occult) but before that, we examined Cantos XII (the tale of Baldy Bacon and also the Tale of the Honest Sailor) and XIII (a "Kung" [Confucius] Canto). The speaker performs rituals to get Tiresias (a seer) to appear so he can ask about his past and future. Love this! Many readers may be put off reading The Cantos by Pounds anti-Semitic views; others may be put off because they find the work impenetrable, even unreadable. Men many, mauled with bronze lance heads. Ezra Pound The Cantos: encyclopedic epic poem; . He died when Pound was only seven, but Pound's dislike of his writing developed as he aged. He was denied access to his reading, but he continued to write he appears to have drafted the first Pisan Cantos on toilet paper. The Question and Answer section for Ezra Pound: Poems is a great In the twelfth line of this stanza, Odysseus mentions the Kimmerian, a mythical group of people who supposedly lived at the edge of the world. Cantos XXV and XXVI discuss the Book of the Council Major and incorporate Pound's own memories of Venice, and Canto XXVII contains a condemnation of the Russian Revolution's destructive legacy. "The Cantos: XXXI - LI" (1934-1937) Summary and Analysis, "Hugh Selwyn Mauberley" (1920) Summary and Analysis. You can read Canto I here. Learn of the green world what can . Its Old Testament litany of the effects of usury on natural life is full of torrential moral indignation, a passion which remains, in spite of rese. Ezra Pound is widely considered one of the most influential and most difficult poets of the 20th century; his contributions to Modernist poetry are enormous. Make It New: vol. It was 1945. Pound has started out with Imagism, in 1912, and the idea of superposition: placing, as it were, one image on top of another, so that in his most famous early poem, the two-line In a Station of the Metro, the faces of the commuters in the Metro station are placed next to the image of petals on the wet, black bough of a tree. Ezra Pound is widely considered one of the most influential and most difficult poets of the 20th century; his contributions to Modernist poetry are enormous. GradeSaver, 24 February 2014 Web. And he strong with the blood, said then: Odysseus. The first canto is a retelling of a passage from Homer's ancient Greek Odyssey, based on Andreas Divus's Latin translation of the epic poem. In the poem , "In the station of a metro . A sheep to Tiresias only, black and a bell-sheep. The content of Canto I can be summarised as follows: Odysseus narrates how he and his crew sailed to Hades to have their fortunes told by Tiresias, the blind seer. [1] Most of it was written between 1915 and 1962, although much of the early work was abandoned and the early cantos, as finally published, date from 1922 onwards. You spend most of this poem on a boat with Odysseus, sailing toward the edge of the world. A summary of Pound's poem. So it may be that what Pound did more directly in Mauberley, he is also doing in Canto I: likening himself to the great epic hero of Homers poem. Eliot's "The Waste Land," which it predates by about three years. This opening Canto is thus an English translation of a Latin translation of a Greek poem; whats more, Pound borrowed the metre of Canto I from his earlier version of an Anglo-Saxon poem, The Seafarer. Pound began work on The Cantos in 1915, and the first three Cantos were published in Poetry magazine in 1917. Though short, this poem is very sensory in nature; it allows the reader to imagine a scene while reading the lines. For the full article, see Ezra Pound . Is it sheer self-indulgent verbiage or an under-read and underappreciated epic for the modern world? This illuminating study of Ezra Pound's Adams Cantos (62 to 71 of Pound's Cantos)offers a tour de force of careful literary-historical scholarship, adroit reading, and lucid explication.Ten Eyck gives one of the Cantos' least critically addressed and least favoured sections astute and sympathetic treatment, dispelling many misguided assumptions about The Adams Cantos and opening up fruitful . I'll read the whole Canto - Canto 81 - for . "The River-Merchant's Wife" is Ezra Pound's reinterpretation of an 8th-century poem by the Classical Chinese writer Li Bai. He adds a sheep t the pile for the blind prophet Tiresias. Interesting Literature is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by linking to Amazon.co.uk. Introduction . Paul Verlaine . William Butler Yeats 2. to use absolutely no word that does not contribute to the presentation; 3. as regarding rhythm: to compose in the sequence of the 6 musical phrase, not in sequence of a metronome. ACKNOWLEDGMENT Correspondence by Ezra Pound: (c) Mary de Rachewiltz and the Estate of Omar S. Pound. Canto 13 by Ezra Pound. Shalt return through spiteful Neptune, over dark seas. He broke his skull and his spine, and his soul sought Avernus or entry into the underworld. Add to basket. But while they were sojourning on Circe the enchantresss island, Elpenor got left behind; rushing to catch up with Odysseus and the ship before it left without him, the hapless Elpenor fell off a ladder and broke his neck. He is named as the founder of the Imagist movement. Canto I is also self-aware: it breaks the fourth wall, as we say of theatre, film, and television. And halo projects from incision, With usura ANALYSIS . Made courage, or made order, or made grace, Pull down thy vanity, I say pull down. He was an early champion of a number of avant-garde and Modernist poets, developed important channels of intellectual and aesthetic Set keel to breakers, forth on the godly sea, and. Pound attended Hamilton College and the University of Pennsylvania, where he studied various languages. So that: The last lines of the canto include Tiresias words to Odysseus, a prophecy. Interesting Literature is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by linking to Amazon.co.uk. after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: "The old swimming hole, "And the boys flopping off the planks, "Or sitting in the underbrush playing mandolins." And Kung smiled upon all of them equally. Yet although it is undeniably a ragbag, there are a number of key themes running through The Cantos. 1 ANALYSIS . The Cantos by Ezra Pound is a long, incomplete poem in 120 sections, each of which is a canto. This poem begins in medias res, a technique in which a writer thrusts the reader directly into the middle of a story without providing peremptory information. T. S. Eliots concept of poetic tradition, discussion of his In a Station of the Metro here, Ezra Pound photographed in Kensington, London, October 22, 1913, A Short Analysis of Ezra Pounds The Cantos | Interesting Literature. The first were published in Poetry magazine in 1917; through the decades, the writing of cantos gradually became Pound's major poetic occupation, and the last were published in 1968. Most of these are youths, young women, or girls tender. The poem's speaker is a young wife pining for her husband, a merchant off on a long journey. In Canto 101 Pound focuses on French military leader and Emperor Napoleon Bonaparte (1769-1821) and his adviser Charles-Maurice Talleyrand (1754-1838). Pound spoke about his musings on politics, economics, and society, presenting opinions that were typically antisemitic and against the American involvement in the war. Cantos VII-XI tell the story of Sigismondo Pandolfo Malatesta, a 15th century poet and patron of the arts. Italy, November 1, 1972. I mean, that is Andreas Divus, And he sailed, by Sirens and thence outward and away. Pantoums use the second and fourth lines of each stanza as the first and third lines of the next stanza. The Enemy understood this, hence the efforts to silence him-and a great deal more along the same lines. The Cantos alludes to, among many others, the works of Homer, Ovid, Dante, Omar Khayym (author of the Persian Rubiyt, or quatrains, later translated into English by the Victorian poet Edward FitzGerald), Robert Browning, and many, many others. Summary . Canto XVII contains a story about Dionysus, while XVIII and XIX discuss financial exploitation, beginning with Marco Polo's account of Kublai Khan's paper money, and ending with a criticism of war and those who profit from it. "The River-Merchant's Wife: A Letter" (1917), "The Cantos LXXIV - LXXXIV: Pisan Cantos" (1948), Read the Study Guide for Ezra Pound: Poems, Fading Margins: Adventure and Transience in Ulysses and The Seafarer, Pound, Ginsberg and Olson: Techniques of Modern and Postmodern Poetry. Pound makes use of several literary devices in his translation of this part of Homers The Odyssey. Then prayed I many a prayer to the sickly deaths-heads; As set in Ithaca, sterile bulls of the best. from The Cantos of Ezra Pound (1934), and Collected Early Poems ( Faber, 1977), by permission of New Directions Publishing Corporation. I slept in Circes ingle. He speaks briefly on Circes island, what the trip along the sea is like, and then about the edges of the earth. In Canto LXXX Pound (or Odysseus; the two personas have merged now) is rescued from his sinking raft by the poets Richard Lovelace and Walt Whitman, who are discovered in an old poetry anthology in the camp toilet, or jo-house (p. 527). The Canto finishes with the Song of the Lotus Eaters. 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